The 107 CHAIR by ROBERT STADLER.

The 107 CHAIR by ROBERT STADLER.

📅09 novembre 2012, 17:56

Inspired by Coffee House Culture Yet Uncompromisingly Modern.

Variations on an archetypal design: with its slim, curved backrest and its lightweight and elegant look, the 107 chair is reminiscent of Thonet’s famous 214 coffee house chair.

An effect intended by Austrian-born and Paris-based designer Robert Stadler, who sees his 107 chair as a contemporary re- interpretation of the most famous of classic chair designs.

107 Chair by Robert StadlerThe new 107 chair connects to Thonet’s longstanding tradition by being an ideal piece of furniture for the café and restaurant trade, which is equally well suited for use in private living and dining interiors.

Initially, the 107 design was commissioned for the Corso restaurants in Paris where the chair has been used since autumn 2011.

From October 2012, the 107 chair will also be available as part of the Thonet collection. The 214 coffee house chair (historically No 14) saw worldwide success in the 19th century, not least due to its sensible pricing. Today, this classic piece is rather expensive to produce since the bentwood material requires a high percentage of manual work during production.

With the 107, Robert Stadler wanted to design a chair for the cafés of the world’s cities that would explicitly reference its predecessor yet would be significantly cheaper to produce thanks to modern production technologies.

You only have to think of Buckminster Fuller who was able to achieve maximum stability with minimal use of materials when designing his geodesic domes. I took this idea as an inspiration and I also simplified the design by replacing curves with straight lines without compromising the chair’s comfort. I wanted to design a variation on the famous 214 that would take the original idea as a guideline: creating a Thonet chair that can be produced in a cost-efficient way”, says Robert Stadler.

A characteristic feature of the new chair is the fragment design of the backrest, which is both a constructional element and a design feature. The frame of the 107 chair, which is only available without armrests, is made of solid wood. The seat and backrest are made of plywood with a natural or stained finish. The seat is also available with textile or leather upholstery.

Robert Stadler belongs to the younger generation of internationally acclaimed designers. He was born in Vienna in 1966 and studied design at the IED Milan and at the ENSCI Paris. He was one of the founders of RADI DESIGNERS (1992 – 2008), a group that advocated a free and radical design approach based on the new possibilities afforded by digital media and tools. In his work, Robert Stadler aims to investigate and transcend the boundaries of an object as well as the allegedly universal boundaries between art and design. Robert Stadler is represented by Carpenters Workshop Gallery and Gallery Triple V. His work is included in numerous private and public collections such as the Fondation Cartier and the Vienna Museum of Applied Arts. His clients include Dior, Espace Culturel Louis Vuitton, Maison Thierry Costes, Nissan, Orange and Ricard.



 

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